I first saw this bag on the internet and loved it. So with some lucky guesswork, I managed to make it without a pattern or any measurements.
I then did a workshop teaching a couple of quilting friends that came to Japan with me, and these two bags are the result of that workshop. Betty's bag is made from Batik material and she added some extra clips to give it a stylish shape. Janice's bag has the tumbling block fabric (which I love!!! thanks for the gift Janice) and a lovely embellishment for the closing flap. I'm proud of you ladies - what wonderful creativity and fantastic results - your bags are beautiful.
This little cutie was the same bag done with different dimensions. I gave it to Angie, our son Brett's girlfriend, and enjoyed making this colourful, playful bag - definitely for the young at heart.
Happy 50th Libby. Thanks for your support of Mya and myself at Manningham Park Primary. When Loretta saw this bag she said "I don't believe it, I bought this material for a quilt for my daughter in Law Jen last Christmas. Thank goodness she did, because I was missing 2 inches of fabric to complete the internal finishing and I returned to where I'd bought my fabric a week ago and all stock had gone, yet Loretta returned to where she'd bought it before Christmas and was able to get me the material to finish the last little bit.
Coincidnce??? well he's one you can't beat.
An unbelievable story about Libby. I was sitting outside the school reception office waiting for Libby to finish talking as I needed her to do something for us. Libby was talking to a personal friend. I wasn't really eavesdropping until I my radar picked up she'd said that her son worked at Athlete's foot (an eavesdropping until I my radar picked up she'd said that her son worked at Athlete's foot (an Australian multi-franchise selling sportswear) and I smirked knowing that of course the coincidence was about to happen. She mentioned her son loved working at the Chadstone store. I just knew it! Of all the stores in Australia and Asia, her son works where our daughter Jodie works and our daughter is Libby's son's boss! What are the chances of that!!
This bag was made for Tracy. Tracy was my neighbour in the UK, we lived 2 houses apart. Both our husbands worked for Rolls-Royce and both of us left the UK on the same day to do an international posting for RR. Tracy and Mathew went to Japan (lucky things) and we went to Singapore (lucky things). I stayed with Tracy for a couple of nights after I went to the Yokohama Quilt Show and then stayed with them during the Tokyo Quilt Show. The bag at the top with the cats was a thank you bag. Tracy came with me to the Tokyo show - it was her first quilt show and she was awestruck -----weren't we all! We all bought Kimonos and Obi till there was no more luggage allowance, even if we wore them all on the plane.
Tracy also made us all learn to pronounce Obi properly. She made it clear that the way we all pronounced it was like scraping fingernails on a blackboard. By the way OBI rhymes with Lobby not like Toby.
She saw this bag on a stand and I offered to make it for her. The only problem was that for the first time when I got back to Singapore I got the jitters. Why the jitters??? Firstly, I was worried "What if it isn't right", I couldn't just go to the shop and buy more material and remake it. The shop was five and a half THOUSAND kilometers away. Secondly, the directions on how to make the bag were all in Japanese, and even my two resident Japanese friends/translators couldn't exactly understand the instructions (what's new - that often happens with English patterns!!) and thirdly the diagrams on the instructions didn't resemble the finished product as I recalled it.
So what did I do. I made the bag 3 times before I did it with Tracy's precious material. Once in mini form, about 3 inches tall - I'll never do that again - the size made it almost impossible to manipulate. However our Mya coveted it, and it became her toy bag for her dolls. One attempt was the right size and looked like the instructions drawings, but nothing like the finished product as Tracy and I had seen it. I gave that one to Penny in Thailand - my old friend from Dubai days. Eventually I made it exactly as we remembered it, then confidently cut into the precious material. I also quilted around the leaves and fruit to accentuate the pattern of the print that Tracy loved so much.
It doesn't look that complicated, but the Japanese had a very unusual way to turn the bag inside out and finished the handles, it was so convoluted, I don't even think I could replicate it again. 
This is my all time favourite Japanese Material that I bought from Fumiko in Singapore. Sawako introduced me to Fumiko who has everything Japanese that you can imagine from fabric to furniture in her enourmous home. So of course I was in seventh heaven and when she heard I was a quilter she went up to her loft and brought down this glorious material. It is a shiny fabric with embossed hexagons which I "stitched in the ditch" and around the stunning gold and white cranes. In Japanese and Chinese customs cranes symbolize love of parents for their offspring, the cycle of life, and longevity. How beautiful.

This handbag and the matching carry bag were given to Andrea for her birthday. Andrea is a very special friend (George's colleague) because she is very gifted (speaks English, Mandarin and Japanese fluently - was there German too Andrea??) she also has grace, tact, competence and willingness to help beyond any friend's expectations. I'll never forget the help you gave George to assist Mya with her Mandarin homework whilst I was playing tour guide in Japan. Thank you -Andrea. When Mya says her months - I will always remember it was your wonderful Hanyu Pin Yin translation and phonetic transliterations that got George and Mya through that week.
I was really happy to make something from my precious Japanese material for Andrea as she has a very strong connection with Japan too, having visited there numerous times through her family's friendship with a Japanese family. Thus she loves Japan as much as I do, and would appreciate the fabric and it's meaning.
Rachelle - yours is coming darling - a certain life event has put some distance between me and your almost finished bag .
This reversible bag was for Mya's teacher in Singpaore. Julie was a great asssitance to our family when Mya had such a difficult time making the separation from UK and adjustment to life in Singapore. I'll never forget her telling me that Mya said to her - "I want to go back to England" and Julie just said "Yeh, I'm form England, I miss it sometimes, but i'm happy to live in singapore now."
I know that Julie can be quite quirky and has a great sense of humour. That's why I put the diamond patterned centre panel a bit off-centre. And the following story confirms my suspicion:
Julie took her handbag back to England during the holidays. Her friends commented on the bag and Julie responded with "Oh I have my own personal hand bag designer making bags specially for me." The next day, she turned the same handbag inside out and walked in to hear more OOHs and AHHs. Julie who is very quick witted said, "Yes, the same designer" and walked out. What she should have said was "Yes the same handbag!" but she never let them in on the secret and they thought she had two bags from her "personal hand bag designer!!!!!" Go Julie.

This bag is still not finished, it's waiting my return to it in Singapore. It's a chenille bag made from four layers of cotton fabric.
What I love about chenille is that you can have the most interesting or disgusting fabric and you never know exactly what it will look like until you cut it and freyed it and put it together.
A LESSON IN BAG MAKING WORKSHOPS!
Here is my Japanese bag - I'VE KEPT THIS ONE for myself for a change, and soon you'll know why.
Believe it or not, I went to learn how to make this bag and it ended up costing me $150 for the 3 one- hour lessons, $180 for the fabric and pattern!!! I nearly died, as the pattern was simply a hand drawn outline on an A3 sheet of paper with no instructions. The lessons were conducted by someone who had 15 words of English - thank goodness those words included "cut here and sew there". At one "lesson" I didn't know to bring my own batting and she sold me less than a metre for the princely sum of $60 which she didn't tell me until after she'd cut it. I would never have imagined that cost, as I had the same thing at home which I'd paid $5 for in England. It certainly wasn't worth it and it taught me to keep bag making workshops reasonably priced and let people know what's needed - up front and they can bring their own if they want or buy at the shop that has reasonable prices.
Here is my beautiful Mya modelling the bag. I'd rather look at Mya really.
The strips in this handbag were made from scrap offcuts from a lady who makes Japanese clothes in Singapore. the blue Indigo on the sides and the middle have a story.
I bought some very expensive shashiko patterned material in a very well know shop in Singapore. For years, I had wanted to try Shashiko (which is a wide variety of Japanese stitches traditionally done with white cotton on plain blue indigo material).
So what does every good quilter do the minute they take their fabric home - they wash it to pre-shrink it and iron it in readiness for the project whenever that may start. (One must remember that fabric is often bought because it is beautiful, not necessarily that it is for a current project - therefore fabrics can sit for months, years until its number come up!) Especially for those of us who have no memory, we therefore know that all the fabric in the house is ready and prepared for sewing- and there are no doubts if the preparation has occured
So that's what I did. I washed each piece of fabric I'd bought that day in hot water and as I was ironing, I thought - "I didn't buy any plain blue material today!".
Yes you guessed it, I'd washed off the pattern. I wasn't told it wasn't printed on - it was simply dusted on!!!!!!!!!!! So that's how I ended up with this very overpriced plain blue indigo.
Anyway, I enjoyed trying out various treatments to the material - the wide quilting, narrow quilting and the wavy pin tucking. Each side of this bag had different strips and different quilting treatments.
I gave this bag to my husband George's "old" friend Esme for her 90th birthday - she's a handbag girl too.
Tracy's tote bag- sans cats. She's a teacher, so I made it nice and big to bring home the work for marking. Rosie who sold me my favourite Bernina the Aurora 440 QE taught me how to do this stitching on my machine - it's just an elongation of a variation of a zigzag. I still remember furiously stitching away on the underground train between Yokohama and Tokyo, trying to finish this bag before arriving at Tracy's home. The Japanese are very well behaved, respectful of others and orderly - they don't even use their mobile phones on public transport for fear of disturbing a fellow traveller.
So how they saw this Gaijin doing something as conspicuous as quilting I'll never know - as I can't read people's minds when they think in Japanese.......
This is a handbag, done in the same design as Tracy's School Teacher's big Tote bag. This bag was for Sharon (Maggie's friend) who at very short notice allowed me, a complete stranger, to stay at her home in Yokohama.
I'm good at meeting strangers through my crafts aren't I Pam in Geneva???? who I met through an embroidery bulletin board when I lived in Dubai and ended up staying with twice in Switzerland (again we were complete strangers apart from our internet friendship) and then she came to stay with us with us in the UK. Come to think of it I also met another wonderful friend through that Bulletin Board - Corrine - who I look forward to meeting in person when we visit Canda - our next trip.

This is a little tote bag given to Mya's little friend Natasha, in Singapore for her birthday. The material was from Spotlight in Australia. I'd had it for years and never quite had a project for it, but liked it very much. I used a rainbow print on the binding - cut on a bias to accentuate the colours and bring in the multiple bright colours on the motif print of the bag. On the reverse, I did rows of hearts embroidered in rainbow thread, interspersed with Natasha’s name done in single colour threads in the colours of the rainbow. That little bag took 8 hours to make.
They are simple little tote bags whipped up the night before the last day of school.
I love it because firstly it reminds me of my dear friend Cindy and the great time we had making her first quilt at my home in West Sussex. Secondly this bag holds ALL (yes I mean ALLLLLLL) my cutting boards, rulers, templates, cardboard, and every piece of large equipment to do with all my crafts.









One of my student's in the UK - Cindy's first quilt. ( notice the colours?? - she asked me to chose them - these were not her colours either)... laugh. Maybe I've set a trend with first quilts.
